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Fundamentals

Additional Takes, Retakes, & Pickups

I am kinda notorious for my ‘generosity’(?) with takes. For animations, video games, VNs, etc., I will do between 3-6 takes, sometimes more. This is to assure an abundance of takes at the time of initial recording, and hopefully to mitigate the need for retakes and pickups.If retakes/pickups are necessary due to my mistakes (eg., errors in pronunciation, bad pacing, misreading directions or emotion, mistakes in reading the copy), you are allowed to request one (1) full retake/recording.Revisions requested due to alterations in the script, lack of direction, indecisiveness over voice choice or personality, etc. will be invoiced again at the original rate.

Discounts

My rates are ALWAYS negotiable. If you have a standard rate at which you hire VOs, I will be more than happy to consider your project based on that rate. If you have a budget you are constrained by, I’ll be more than happy to negotiate a rate that works for the both of us. This is not permission to tell me my rates are too high, and you want something done on the cheap.And I do offer discounts!

Favored Characters

Some characters are just easier and more enjoyable for me to record, or I favor them for whatever reason. For these characters, I offer discounts, marked out on my rates page.

Resale Rates

Sometimes, someone approaches me with

Large Projects

In general, if your narrative project comes in at over 1000 words, the per word rate will be .25 instead of .30.

Discounts

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Basic Service

Voice Over / Animation Dubbing

All voice files are marked, cleaned, and edited for out-takes, pauses, etc. Basic EQ and compression can be done for free at commissioner’s request.

IMPROV / AD-LIBBING

This applies to any commission where a script is NOT provided.An improv/ad-lib commission requires as prompt from you detailing what you are looking for in the audio, as well as specifics regarding voice, character, kinks, etc.  I will not research characters from specific IPs. You must provide examples that you feel will properly communicate what you are looking for.One take provided. NON-REFUNDABLE.FOR ANIMATORS: If you’re looking for improv work for an animation, please let me know how many lines/options you would like. Multiple takes provided.

Additional Audio Services

Additional Writing Services

Automatic Discounts

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Commissioning Me

Are your commissions open?

They are! (Last updated 15 October 2023)It’s a rare occasion that leads me to close commissions, and I will try to update this page when I do. Even then, feel free to fill out the form and I can add you to my queue when I’m taking them again.

What kind of commissions do you take?

You name it! If it can be done with a microphone, I can do it.Er.I mean, if it can be recorded with a microphone, I can do it!Have you written a script you’d like read? Or a comic you’d like dubbed? Have you made an animation you’d like to commission voice work for?  I also do audio books, sound design, writing, editing… All manner of interesting stuff.

What is the process of hiring you?

It looks complex, but I swear it’s easy as pie.

Can you explain the different services you offer?

What sort of content do you cover?

Basically? Anything that isn’t on my blacklist.Specifically kinks/fetishes/fantasies I DEFINITELY cover include, but are not limited, to:Aphrodisiacs, aliens, American accents, ASMR, BDSM, bimbofication, breathplay, breeding/impregnation, British accents, CBT/tamakeri, character impressions, cuckolding, degradation, domme, dubious consent, exhibitionism, feet, femdom, fin-dom, force, French accents, furries, futa, genderplay, GFE/girlfriend experience, gokkun, humiliation, hypnotism, inflation, insertions, MILFs, monsters, monster girls, multiple voices, non-consent, NTR, pegging, Russian accents, Scottish accents, slavery, smoking, southern/western accents, spanking, submission, tickling, vanilla romance, vore, voyeurism, weight gain……and so much more.

I’m a voice actor and I’d love to collaborate with you on a script! Can I get in contact?

Sure! I don’t guarantee I’ll have the time to do it, but I’m always open to considering collaborations. Please, though, be clear about what you’re looking for, have a script ready, etc.

Will you collaborate with me on writing or project development?

In general, no. I’ve discovered that as much as I’d like to be deeply and personally involved on every project I voice for, there simply aren’t enough hours in the day to please everyone the way I’d want. Sometimes there are exceptions to the rule? But in general, those exceptions are made for close friends only.

I pay a standard rate to voice actors. Can I use that instead of your rates?

In most cases, and provided your rate is fair, absolutely! When you fill out the commission form, just note your budget and I’ll be more than happy to discuss it.

Are your rates negotiable?

For some projects? Absolutely!For example, if you have a budget you need to work inside and feel my rates may break your bank? Feel free to contact me! I’m always glad to discuss to potential projects, and am not averse to studios/clients setting their own rates, so long as they are reasonable.Likewise, if you’re new to animation, don’t have a large following, and are looking for a few lines or sexual incidentals to really make your project spark, I’d be more than happy to discuss newbie discounts.Very large projects, or recurring roles in ongoing projects also qualify for automatic discounts. Also, if you’re a member of a specific tier on my Patreon, those come with discounts, too!

Do you accept exchange offers?

Sometimes! If you’re an artist, an animator, a writer, or other content creator, there are certainly circumstances I will consider an exchange of services in lieu of payment! Note that I’m fairly selective when it comes to exchanges, so don’t feel badly if I say no. 🧡“Exposure”, though, is something I really don’t need, nor do I consider it an acceptable form of payment.

What payment methods do you accept?

I prefer to invoice through PayPal, but I also accept payments through Ko-Fi, Patreon, and Gumroad. If you have a different method you prefer, please let me know when you fill out the commission form.

Can you voice my project for free?

No. The only exception I make to this rule is for Fallout mods that DO NOT ACCEPT PAYMENT OR TIPS.

Supporting Me

What kind of content do you post on Patreon and SubscribeStar?

coming soon.

Are there any discounts offered to your subscribers?

coming soon.

My Production Process

What microphone do you use?

Mic choice varies depending on the project and the effects that will be applied in post, but most of my work for is recorded on either the Mojave 301 FET or the Sennheiser 416.The Mojave is a multi-pattern large diaphragm, solid-state condenser microphone, and it offers crisp, clean, and uncolored recordings. That’s great if you are doing a lot of mastering and mixing, but not so hot if you just want your audio ready to use from the moment you get the files. The Sennheiser 416 is shotgun interference tube microphone, and is preferable for any project where their minimal post-production work is desired, because the Senn sounds good from the initial recording, and any after-the-fact mastering just makes it sound better.Dynamic mics, like the Sennheiser MD421 MkII, create a richer, more familiar tone by excluding the higher frequencies. This results in the standard radio host tone, and can be totes useful for some projects (like audiobooks), but can sound muddy on most character work.  And ribbon mics, which are technically a kind of dynamic mic, are very cool, but can be tricky to master because of how dark the sound is, and are tetchy as fuck to record with, because the aluminum ribbon that drives them is super vulnerable to breaths and plosives.Ngl, I lloooove microphones. And I keep all of these mics in my closet, and trade them out depending on use, project, etc.For more about my studio set-up, please see xxx.

If you own a Neumann TLM 103, why don’t you use it more often? That seems like a popular mic.

It’s a great mic. But ‘popular microphones’ don’t necessarily translate to ‘good microphones.’ More specifically, it doesn’t translate to a good microphone for my voice.For my voice, the top-end of the TLM 103 is too harsh. Content recorded on it sounds tinny and requires more mastering to end up at a good final product. Which is why I rarely use it, unless specifically requested.

How do you do filtered voices for characters like GLaDOS, Jigsaw, and Darth Vader?

A magician never reveals their secrets.

What is considered additional sound design?

The short answer? Anything that isn’t a sound I make in the process of recording is ‘sound design.’So, adding footsteps would be ADDITIONAL SOUND DESIGN, but the sounds made during a slurpy blowjob are not additional sound design.

Contacting me

What is the best way to contact you?

For commissions? Via this form.For everything else? Via email.Please try not to use DMs on Twitter/X, Discord, etc. I am EXTRAORDINARILY busy, and often forget to check my DMs.

I’ve written a script for you! Can you record it for free?

I only take specific requests on commission, but you’re welcome to send it to me as a suggestion in my Discord!

Misc. Questions

What Safe for work projects have you done?

A lot. I was a SFW actor long before I got into NSFW, so I’ve read for political ads, TV commercials, AAA games, in-house corporate presentations, mainstream audio drama, awards ceremony narrations, audiobooks… you name it, I’ve probably done it. Given the nature of NSFW work, however, I cannot offer specifics unless you have a VALID reason for needing my legal name. In which case, please contact me, plead your case, and we can discuss why you’d require that information.

What is your natural accent?

It’s a combo platter of Western American regionalism known as a ‘Jello Belt’ accent that’s common in parts of Nevada, Utah, and Arizona. Combine wide, vaguely east coast vowels, a rejection of the letter ‘t’ if it occurs in the middle of a word, a little cowpoke twang, and the speed of Southern California, shake well, and there you go. I’ve worked hard to get rid of the twang, but sometimes it sneaks in and I’m sorry.

What other accents can you do?

K, so there’s a different between pulling an accent and doing it well. The accents I can comfortably say I do well include:

The accents where I lean heavily into stereotype and specific hallmarks, to the point where I’m not actually sure if they’re any good?:

Accents I’m not comfortable doing:

How did you get into NSFW Voice acting?

Accidentally? My very first NSFW job was ‘Sunny’ for PinkTailStudio’s unreleased Dark Ministry. I kinda flitted around after that, dabbling in NSFW as I found projects that interested me, but it wasn’t until RedMoa cast me as the ice-blonde dommy mommy in his Scarlet videos that I got realized how fun and rewarding NSFW could be. After that, I fell into Yuki: Space Assassin, an on-going erotic audio drama, and I’ve been kicking over furniture in NSFW ever since.

Can you give me help get started in voice over?

Unfortunately, no. Mentoring newbies is something I don’t take lightly, and I simply don’t have the time (nor the skill) to do it right.

Do you have any tips for aspiring voice actors?

Not really? If you have specific questions, though, you can ask me on Tumblr, in Discord, through my Patreon, or at CuriousCat. I will try to answer questions as I can.

Can you recommend a microphone to me?

Please, for the love of Pete, if you’re an aspiring voice actor, or a VO looking to upgrade from a USB microphone, don’t take what I use as an endorsement that you should use these mics, too. Mics are exceptionally personal. You don’t need a Neumann U-87 or a Telefunken M80 to be a good voice actor and produce good audio. What you need is to DO YOUR RESEARCH. Which is a boring answer, I know, but trust me here.Figure out your voice type, listen to other actors who have a similar voice type, and see what they use. Or go to a music shop, and ask if you can test the mics. You usually can. Figure out what works for you. I promise you’ll be happier in the end.If you’re new to VO, though, and can’t commit the time to do some solid research, I’ll always recommend starting with an AT2020. It’s fairly cheap, sounds good, and will carry you a long way with the right sound treatment in your space.

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Minimum Age Requirement

You must be at least 18 years of age to commission me for any project, including safe for work (SFW) content.By engaging with me in any way, you attest to the fact that you are of age to consume adult-oriented content.In other words, you must be at least eighteen years old in order to commission me, communicate with me, or download my content. NO EXCEPTIONS. If, during the course of a commission, you give me reason to suspect you are a minor — eg., you don’t have access to a standard payment method, or your interactions strike me as those of a minor — I will block you and report both my suspicions and your username to other adult voice actors.This is draconian by design.

Usage Authorization

The Client acknowledges and agrees that all privately commissioned voice recordings provided by me are strictly intended for use within the scope of the initial project, as defined and agreed upon between both parties. Any additional use, including but not limited to commercial or non-commercial distribution, is expressly prohibited unless otherwise agreed upon in writing. Any commercial or non-commercial distribution (including, but not limited to resale, sharing, gifting, repackaging, reuse, etc.) is strictly prohibited unless previously negotiated. By agreeing to these terms, you agree to inform all individuals handling commission files, including engineers and third-party distributors, of all licensing limitations put forward in these terms.The Client shall not, under any circumstances, transfer or provide the voice files to any third-party distributor, agency, or individual not involved in the initial project without obtaining my prior written consent. This prohibition extends to both commercial and non-commercial distribution channels. The Client acknowledges that all voice recordings provided by me remain my exclusive intellectual property. No rights or licenses, express or implied, are granted to the Client beyond the scope of the initial project, unless otherwise agreed upon in writing.

Credit

Content MUST be credited (either to KittenVox or Kitt Nevada). Where possible, I ask that you provide a link to either my Twitter page, Blue Sky profile, personal page, or my profile on whatever website the content is posted. I’m almost always ‘KittenVox’, but if you have issues unearthing the right profile to credit, please don’t hesitate to reach out.

Payment

All payments for commissioned services provided by me are invoiced upfront, prior to the commencement of work. This policy ensures a transparent and efficient transactions, and because I’m notoriously bad at remembering to invoice after-the-fact.For large projects (in excess of $500), alternative payment arrangements can always be considered. In such cases, I may, at my discretion, invoice half of the total project cost at the outset, with the remaining balance due upon project completion. Any such arrangements will be mutually agreed upon and specified in the project proposal or invoice.

Delivery & Storage

All finished files are hosted on Google Drive. Upon completion and delivery, you will be provided a link where you can download the file. If you would prefer a different method of delivery, please note that in the Commission Form.I agree to retain all voice recording files for a period of one (1) year from the date of completion of the initial project. After the initial one-year period, I reserve the right to delete or dispose of all voice recording files at my discretion, without further notice to the Client.It is the sole responsibility of the Client to make redundant copies of all voice recording files to safeguard against potential data loss. I am not liable for any loss or damage incurred due to the deletion of files after the initial one-year period. The Client acknowledges and agrees to waive any claims or demands against me for loss or damage to voice recording files that may occur after the initial one-year storage periodPLEASE DOWNLOAD YOUR CONTENT AND MAKE REDUNDANT COPIES TO INSURE AGAINST DATA LOSS.

Blacklisted Content

I try my very best to keep an open mind about the content I voice, but some topics tread boundaries that I am simply uncomfortable voicing.A lot of these are pretty standard, and my allowances If you have questions regarding my blacklist, and whether or not your content ‘fits’ into one of the blacklisted categories, please don’t hesitate to contact me.

Concerning AI

My voice is my livelihood.Therefore, I do not consent for my voice, recordings, or any other audio materials provided to the client be used for the purpose of training artificial intelligence (AI) models. Furthermore, any entity associated with the client is prohibited from utilizing my voice, recordings, or any other audio materials provided for training or improving AI algorithms or models, whether for commercial or research purposes. In no way is the client, or any representative of the client, granted license for any project involving AI generated voice projects. This licensing is retroactive, and includes all recordings made prior to the rise of AI voice generators.

Credit Removal

I reserve the right to request the removal of my credit from any production if it is determined that the Client has violated the terms of use as specified herein. Failure to comply with my request for credit removal may result in legal action, including but not limited to seeking injunctive relief, monetary damages, and any other remedies available under applicable laws. In addition to legal action and in the event of noncompliance, I reserve the right to issue DCMA notices to major platforms to ensure the removal of the production in question, or any infringing materials, from public distribution or display.

Commission acceptance & Respectful Conduct

I maintain a zero-tolerance policy regarding verbal abuse or written harassment, including pressuring, disrespectful communication, bullying, doxing, disregard of established boundaries and terms, as well as any violation of consent or withdrawal of consent from any clientele. I retain the unequivocal right to decline any commission, at their discretion, for any reason. This decision will not be subject to negotiation or challenge.

Protection of client privacy

I am deeply committed to upholding the privacy and dignity of every client. Any information shared during the commission process, including personal details, preferences, or sensitive content, will be treated with the utmost confidentiality. This commitment extends to all communications, files, and materials exchanged between the Client and myself unless permission is otherwise granted.

Refund Policy

You are receiving a digital product. Once work on the files have commenced, the purchase is not eligible for a refundOne (1) revision is automatically included with each paid commission to account for errors in pronunciation, mistakes in the reading, or file damage. Additional revisions will be made at my discretion. Revisions not covered by this clause include script changes, alterations delivery direction, and any adjustments to voice type made by the Client after initial calibration, including tone, accent, or pitch. If the Client changes their mind about my inclusion in a project after the files have been delivered, no refunds will be considered.

No Liability for Technical Issues

It is the Client’s responsibility to ensure they have the necessary technology, software, and knowledge to download and use the content provided in this commission. Outside of file corruption, I am not liable for any technical issues experienced by the Client in the process of receiving the file.

Enforcement & Remedies

I reserve the right to take legal action against any breach of these terms, including seeking injunctive relief and monetary damages. In the event that any provision herewithin is deemed invalid or unenforceable, the remaining provisions shall remain in full force and effect.

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